"Nalchik, Russia -- Insurgents launched a series of raids today in this southern Russian city, striking the area's main airport and several police and security buildings in large-scale, daytime attacks that left at least 85 people dead."
From Agence France Presse:
"Nalchik, Russia: More than 60 people were killed as scores of militants launched simultaneous attacks on police and government buildings . . ."
"Militants," you say?
From the Scotsman:
"Rebel forces battled Russian troops for control of a provincial capital in the Caucasus yesterday . . ."
"Rebel forces,'' huh?
From Toronto's Globe & Mail:
"Nalchik, Russia -- Scores of rebels launched simultaneous attacks on police and government buildings . . ."
"Rebels," by the score. But why were they rebelling? What were they insurging over?
In the geopolitical Hogwart's, Islamic "militants" are the new Voldemort, the enemy whose name it's best never to utter. In fairness to the New York Times, they did use the I-word in paragraph seven. And Agence France Presse got around to mentioning Islam in paragraph 22.
I underestimated multiculturalism. After 9/11, I assumed the internal contradictions of the rainbow coalition would be made plain: that a cult of "tolerance" would in the end founder against a demographic so cheerfully upfront in their intolerance. Instead, Islamic "militants" have become the highest repository of multicultural pieties. So you're nice about gays and Native Americans? Big deal. Anyone can be tolerant of the tolerant, but tolerance of intolerance gives an even more intense frisson of pleasure to the multiculti- masochists. And so Islamists who murder non-Muslims in pursuit of explicitly Islamic goals are airbrushed into vague, generic "rebel forces." You can't tell the players without a scorecard, and that's just the way the Western media intend to keep it. If you wake up one morning and switch on the TV to see the Empire State Building crumbling to dust, don't be surprised if the announcer goes, "Insurging rebel militant forces today attacked key targets in New York.
We eat like a pig.
We like to play chicken.
You can get someone's goat.
We can be as slippery as a snake.
We get dog tired.
We can be as quiet as a mouse.
We can be as quick as a cat.
Some of us are as strong as an ox.
People try to buffalo others.
Some are as ugly as a toad.
We can be as gentle as a lamb.
Sometimes we are as happy as a lark.
Some of us drink like a fish.
We can be as proud as a peacock.
A few of us are as hairy as a gorilla.
You can get a frog in your throat.
We can be a lone wolf.
But I'm having a whale of a time!
You have a riveting web log
and undoubtedly must have
atypical & quiescent potential
for your intended readership.
May I suggest that you do
everything in your power to
honor your encyclopedic/omniscient
Designer/Architect as well
as your revering audience.
As soon as we acknowledge
this Supreme Designer/Architect,
Who has erected the beauteous
fabric of the universe, our minds
must necessarily be ravished with
wonder at this infinate goodness,
wisdom and power.
Please remember to never
restrict anyone's opportunities
for ascertaining uninterrupted
existence for their quintessence.
There is a time for everything,
a season for every activity
under heaven. A time to be
born and a time to die. A
time to plant and a time to
harvest. A time to kill and
a time to heal. A time to
tear down and a time to
rebuild. A time to cry and
a time to laugh. A time to
grieve and a time to dance.
A time to scatter stones
and a time to gather stones.
A time to embrace and a
time to turn away. A time to
search and a time to lose.
A time to keep and a time to
throw away. A time to tear
and a time to mend. A time
to be quiet and a time to
speak up. A time to love
and a time to hate. A time
for war and a time for peace.
Best wishes for continued ascendancy,
'Thought & Humor'
P.S. One thing of which I am sure is
that the common culture of my youth
is gone for good. It was hollowed out
by the rise of ethnic "identity politics,"
then splintered beyond hope of repair
by the emergence of the web-based
technologies that so maximized and
facilitated cultural choice as to make
the broad-based offerings of the old
mass media look bland and unchallenging
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